ENDED

Paul Chan
3rd Light (from The 7 Lights, 2005–07), 2006, Table and digital color video projection (silent, 14 min.), dimensions variable © Paul Chan Photo: Courtesy the artist and Greene Naftali Gallery, New York. Photo: Erika Barahona-Ede

Image-paulchan-3rdlight
Paul Chan
3rd Light (from The 7 Lights, 2005–07), 2006, Table and digital color video projection (silent, 14 min.), dimensions variable © Paul Chan Photo: Courtesy the artist and Greene Naftali Gallery, New York. Photo: Erika Barahona-Ede


3rd Light

PAUL CHAN

curated by Chiara Nuzzi

08.03.2025 > 24.05.2025

Opening hours | Thursady 2:00 > 7:00 pm, Friday and Saturday 10:30 am >12:30 pm – 2:00 > 7:00 pm Free admission.

3rd Light, curated by Chiara Nuzzi, highlights the artistic practice of Paul Chan, who employs video, installations, sculptures, and drawings to explore themes of significant social and philosophical impact.

The exhibition takes its title from Chan’s work of the same name, part of the renowned series The 7 Lights (2005-07), which has rarely been shown in Italy. This series unfolds through a combination of projections and digital drawings.

The work evokes a hallucinatory version of the biblical story of the world’s creation in seven days while also recalling tragic events in modern history: the terrorist attacks of September 11th , 2001, the war in Iraq, and the ongoing eruptions of violence around the world.

Paul Chan / artist

Born in 1973 in Hong Kong, Chan lives and works in New York. He earned a BFA from the School of the Art Institute of Chicago in 1996 and an MFA from Bard College in Annandale-on-Hudson, New York, in 2002. From the outset of his career, he has worked simultaneously as a political activist and an artist. Despite receiving widespread international recognition, Chan withdrew from artistic production between 2009 and 2014. In 2010, he founded Badlands Unlimited, a publishing house that released over 50 titles, including works by artists of different generations (Yvonne Rainer, Cory Arcangel, Martine Syms), philosophers (from Socrates to Wittgenstein), and Chan himself. In 2014, he returned to art, staging a retrospective at Schaulager in Basel and winning the Hugo Boss Prize from the Guggenheim Foundation. Since then, he has expanded his animation practice beyond the screen with a series of moving nylon figures, whose rippling movements are propelled by electric fans. Their shapes and titles reflect both the artist’s metaphysical and political concerns. In 2022, Chan was named a MacArthur Foundation Fellow. In 2022, Chan was named a MacArthur Foundation Fellow. His works are included in major collections worldwide, such as the Art Gallery of Ontario, Toronto; Art Institute of Chicago; Astrup Fearnley Museet, Oslo; Carnegie Museum of Art, Pittsburgh; Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel; Hammer Museum, Los Angeles; Hessel Museum of Art, Annandale-on-Hudson, New York; Hirshhorn Museum, Washington, DC; Institute of Contemporary Art, Boston; M+, Hong Kong; Magasin III, Stockholm; Museum of Contemporary Art, Los Angeles; Tate, London; The Museum of Modern Art, New York; Remai Modern, Saskatoon, Canada; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; Walker Art Center, Minneapolis; and Whitney Museum of American Art, New York.

Chiara Nuzzi / curator

Chiara Nuzzi (Naples, 1986) is a curator, author, and editorial manager. In 2023, she curated the annual Project Room program for the Fondazione Arnaldo Pomodoro in Milan, with the exhibition projects Lito Kattou. Whisperers and Paul Maheke. The Purple Chamber. Since 2019, she has been curator and editorial manager of Fondazione ICA Milano, where she curated the exhibitions Erika Verzutti. Notizia (co-curated with Alberto Salvadori); Camille Henrot Estelle Hoy. Jus d’Orange; Rebecca Moccia. Ministry of Loneliness; Chemutai Ng’ok. An impression that may possibly last forever; Annette Kelm. DIE BÜCHER (co-curated with Alberto Salvadori); Costanza Candeloro. My skin-care, my strength, the group exhibition Small Fixations, and Simone Forti. Close to the Heart (co-curated with Alberto Salvadori). She has curated both group and solo exhibitions in Italy and abroad, collaborating over the years with various public and private institutions including Fondazione Arnaldo Pomodoro; Istituto Svizzero, Milan; ar/ge kunst, Bolzano; Museo MART in Trento and Rovereto; Le Narcissio, Nice; Independent Art Fair, Brussels. Recent publications include: Camille Henrot Estelle Hoy. Jus d’Orange (NERO, 2023); Rebecca Moccia. Ministry of Loneliness (Humboldt Books, 2023).