{"id":748,"date":"2024-09-18T18:23:31","date_gmt":"2024-09-18T18:23:31","guid":{"rendered":"https:\/\/fondazionebonollo.com\/?page_id=748"},"modified":"2025-09-26T13:57:14","modified_gmt":"2025-09-26T13:57:14","slug":"444-days","status":"publish","type":"page","link":"https:\/\/fondazionebonollo.com\/en\/projects\/444-days\/","title":{"rendered":"444 days"},"content":{"rendered":"<div class=\"row row-small align-center\"  id=\"row-1235170679\">\n\n\t<div id=\"col-1472779309\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-2748812738\" class=\"text h1black\">\n\t\t\n<h2><span style=\"font-size: 19pt;\">ENDED<\/span><\/h2>\n\t\t\n<style>\n#text-2748812738 {\n  color: rgb(255, 255, 255);\n}\n#text-2748812738 > * {\n  color: rgb(255, 255, 255);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1439354856\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner text-center\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover show-for-small x md-x lg-x y md-y lg-y\" id=\"image_1838001808\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"781\" height=\"587\" src=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/09\/hero-image-444days.jpg\" class=\"attachment-original size-original\" alt=\"emili kraus 444 days\" srcset=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/09\/hero-image-444days.jpg 781w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/09\/hero-image-444days-300x225.jpg 300w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/09\/hero-image-444days-768x577.jpg 768w\" sizes=\"auto, (max-width: 781px) 100vw, 781px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"caption\">Detail, Emily Kraus, Agon (sinistral), 2024, Courtesy of the artist and The Sunday Painter.<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1838001808 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div class=\"img has-hover hide-for-small x md-x lg-x y md-y lg-y\" id=\"image_1640501020\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"809\" height=\"327\" src=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/04\/Image-444days.jpg\" class=\"attachment-original size-original\" alt=\"444days front image\" srcset=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/04\/Image-444days.jpg 809w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/04\/Image-444days-300x121.jpg 300w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/04\/Image-444days-768x310.jpg 768w\" sizes=\"auto, (max-width: 809px) 100vw, 809px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"caption\">Detail, Emily Kraus, Agon (sinistral), 2024, Courtesy of the artist and The Sunday Painter.<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1640501020 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1439354856 > .col-inner {\n  padding: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-1872991912\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner text-left\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-4126580332\" class=\"text\">\n\t\t\n<h2><em>444 DAYS<\/em><\/h2>\n<h3>EMILY KRAUS<\/h3>\n\t\t\n<style>\n#text-4126580332 {\n  font-size: 1.4rem;\n}\n@media (min-width:550px) {\n  #text-4126580332 {\n    font-size: 1.2rem;\n  }\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"is-divider divider clearfix\" style=\"max-width:0px;height:0px;\"><\/div>\n\t<div id=\"text-3852431960\" class=\"text blocco-testo\">\n\t\t\n<p>a cura di Lisa Modiano<\/p>\n<p><em><span class=\"s3\">444 <\/span><span class=\"s3\">Days <\/span><\/em><span class=\"s3\">\u00e8 la <\/span>personale di Emily Kraus, artista nata a New York nel 1995 e di base a Londra.<br \/>\n\t\t\n<style>\n#text-3852431960 {\n  font-size: 1rem;\n  line-height: 1.2;\n}\n@media (min-width:550px) {\n  #text-3852431960 {\n    font-size: 1.2rem;\n    line-height: 1;\n  }\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-3585392716\" class=\"text testodata\">\n\t\t\n<p><strong><span style=\"font-size: 140%;\">04.10 &gt; 30.11.2024<\/span><\/strong><br \/>\n\t\t\n<style>\n#text-3585392716 {\n  color: rgb(255, 255, 255);\n}\n#text-3585392716 > * {\n  color: rgb(255, 255, 255);\n}\n<\/style>\n\t<\/div>\n\t\n<p>Orari | gioved\u00ec 14:00 &gt; 19:00, venerd\u00ec e sabato 10:30 &gt;12:30 &#8211; 14:00 &gt; 19:00 Ingresso libero.<\/p>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1872991912 > .col-inner {\n  padding: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-1426288626\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-2676071289\" class=\"text\">\n\t\t\n<p class=\"p1\">The exhibition&#8217;s title, <em>444 days<\/em>, encapsulates the time elapsed between the inception of the earliest displayed piece and the completion of the most recent. Through this temporal framework, viewers are invited to witness the nuanced development of Kraus&#8217; distinctive artistic language as time weaves its subtle influence through her evolving <em>body <\/em>of work. <\/p>\n\t\t\n<style>\n#text-2676071289 {\n  font-size: 1.1rem;\n  line-height: 1.5;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\n\n\n\t<div id=\"col-1695343985\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"444 days | Emily Kraus\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/fUeOnwmqVJk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t<div id=\"text-2983337823\" class=\"text\">\n\t\t\n<p class=\"p1\">Informed by her background in meditative, yogic, and somatic practices, <strong>Kraus&#8217; creative process is distinctly contemplative and reflective.<\/strong><\/p>\n<p class=\"p1\">Faced with the constraints of limited studio space whilst studying at the Royal College of Art in London, <strong>she ingeniously conceived a cage-like structure to produce large-scale paintings.<\/strong> This unique mechanism features struts that double as rollers, around which she loops raw canvas. Kraus works within this frame, applying paint to both the rollers and the canvas&#8217; surface. As she pulls the canvas through, the paint smears, spreads, and unfolds, forming patterns that repeat but continually evolve.  <\/p>\n<p class=\"p1\">Marks and shapes gradually acquire meaning, often exhibiting an organic quality resembling the repetitive\u2013yet never quite identical\u2013motifs found in nature.<\/p>\n\t\t\n<style>\n#text-2983337823 {\n  font-size: 1.1rem;\n  line-height: 1.5;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div class=\"img has-hover show-for-small x md-x lg-x y md-y lg-y\" id=\"image_547683501\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"561\" height=\"505\" src=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/09\/gallery3.jpg\" class=\"attachment-large size-large\" alt=\"emily kraus opera\" srcset=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/09\/gallery3.jpg 561w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/09\/gallery3-300x270.jpg 300w\" sizes=\"auto, (max-width: 561px) 100vw, 561px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"caption\">Emily Kraus, Stochastic 14, 2023, Courtesy of the artist and Fondazione Bonollo.<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_547683501 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-3282607001\" class=\"text\">\n\t\t\n<p class=\"p1\">On closer inspection, this pattern-like iconography might recall the sinuous texture of snakeskin, a network of veins, or the fluctuations of an electrocardiogram as it records the electrical signals of a heartbeat.<\/p>\n<p class=\"p1\">From afar, one might even recognise the warping frequencies and rhythms of a musical score. After removing the canvas loop from the mechanism, Kraus carefully unfastens the stitches and stretches the work. <\/p>\n<p class=\"p1\"><strong>The act of painting<\/strong>, initially temporal and evolving, <strong>is ultimately transformed into a static image\u2014one that pulses, fluctuates, expands, and contracts, containing multiple echoes of its creation.<\/strong><\/p>\n\t\t\n<style>\n#text-3282607001 {\n  font-size: 1.1rem;\n  line-height: 1.5;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"slider-wrapper relative\" id=\"slider-849908563\" >\n    <div class=\"slider slider-nav-circle slider-nav-large slider-nav-light slider-style-normal\"\n        data-flickity-options='{\n            \"cellAlign\": \"center\",\n            \"imagesLoaded\": true,\n            \"lazyLoad\": 1,\n            \"freeScroll\": false,\n            \"wrapAround\": true,\n            \"autoPlay\": 6000,\n            \"pauseAutoPlayOnHover\" : true,\n            \"prevNextButtons\": true,\n            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https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-5-768x640.jpg 768w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-5.jpg 1251w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_267063808 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_550144295\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"850\" src=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-2-1024x853.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-2-1024x853.jpg 1024w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-2-300x250.jpg 300w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-2-768x640.jpg 768w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-2.jpg 1251w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_550144295 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_135563727\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"850\" src=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-3-1024x853.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-3-1024x853.jpg 1024w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-3-300x250.jpg 300w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-3-768x640.jpg 768w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-3.jpg 1251w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_135563727 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1087671739\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"850\" src=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-4-1024x853.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-4-1024x853.jpg 1024w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-4-300x250.jpg 300w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-4-768x640.jpg 768w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-4.jpg 1251w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1087671739 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_329006578\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" style=\"margin:0px 0px 40px 0px;\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"850\" src=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-6-1024x853.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-6-1024x853.jpg 1024w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-6-300x250.jpg 300w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-6-768x640.jpg 768w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2025\/09\/gallery-emily-6.jpg 1251w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_329006578 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n     <\/div>\n\n     <div class=\"loading-spin dark large centered\"><\/div>\n\n\t<\/div>\n\n\n\t<div id=\"text-3712388628\" class=\"text\">\n\t\t\n<p class=\"p1\"><strong>Kraus\u2019 method is characterised by a fluid oscillation between bursts of spontaneous mark-making and intervals of meditative reflection.<\/strong> To create an organic image within a rigid system requires listening, attention and choreography of movement.<\/p>\n<p class=\"p1\">The transportive nature of her paintings act as a portal to an alternate state of being, reflecting a continuous and cyclical universe amidst the tangible and often constrained realities of our existence.<\/p>\n<p class=\"p1\"><strong>The artist once referred to her work as &#8216;stochastic&#8217; because of the seemingly random distributions in her process<\/strong>. Recently, Kraus has reached a pivotal juncture in her practice in which she channels<br \/>her understanding of these unpredictable elements to shape more deliberate movements within<br \/>the work <\/p>\n<p class=\"p1\">Yet <strong>her process remains a delicate interplay of structure and intuition, control and surrender<\/strong>. In navigating this tension, Kraus cannot fully submit to either, as it is within this balance that the organic essence of her work is realised.<\/p>\n<p>Lisa Modiano<br \/>\n\t\t\n<style>\n#text-3712388628 {\n  font-size: 1.1rem;\n  line-height: 1.5;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_2096337212\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"934\" height=\"515\" src=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/09\/gallery4.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/09\/gallery4.jpg 934w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/09\/gallery4-300x165.jpg 300w, https:\/\/fondazionebonollo.com\/wp-content\/uploads\/2024\/09\/gallery4-768x423.jpg 768w\" sizes=\"auto, (max-width: 934px) 100vw, 934px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"caption\">Emily Kraus in her studio. Photo by Giovanni Canova<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_2096337212 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-3045845194\" class=\"text\">\n\t\t\n<p class=\"p1\"><b>BIOGRAPHY<\/b><\/p>\n<p>Emily Kraus (born in 1995) earned her Master\u2019s in Painting from the Royal College of Art in London (2022) and a Bachelor\u2019s degree in Religious Studies from Kenyon College (2017). Recent exhibitions include: Ouroboros, Galer\u00eda Mascota, Mexico City, Mexico, 2024 (solo show); Painting As It Were (Painting As Is III), Kadel Willborn, D\u00fcsseldorf, Germany, 2024; Bloomberg New Contemporaries, Camden Arts Centre, London, 2024; Echoes Across Surfaces, Duarte Sequeira HQ, Braga, Portugal, 2023; The Amber Room, Matt\u2019s Gallery, London, 2023; Nest Time, The Sunday Painter, London, UK, 2023 (solo show); Matija Cop and Emily Kraus, Sapling Gallery, London, UK, 2023; Young and Restless, Stable Gallery, S-chanf, Switzerland, 2023; A Body of Work, Grove Collective, London, UK, 2022; My Mother Was a Computer, Indigo+Madder, London, UK, 2022; and Shadows, Stable Gallery, S-chanf, Switzerland, 2022. In 2023, Kraus won the Hopper Prize and was shortlisted for the John Moores Painting Prize.<br \/>\n\t\t\n<style>\n#text-3045845194 {\n  font-size: 1.1rem;\n  line-height: 1.5;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":596,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-748","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Emily Kraus, 444 days | Fondazione Bonollo<\/title>\n<meta name=\"description\" content=\"444 Days is the solo exhibition of New York-born, London-based artist Emily Kraus, on display until November 30th at Fondazione Bonollo.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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